NOTE

“Art should be like a gravel in the shoe”

  • Chinese artist Ai Weiwei’s exhibition, with title in reference to Isaac Asimov’s I, Robot
    • Asimov wrote a spoof scientific paper about a chemical compound that could time travel
    • Parallels Ai’s commentary on why we value “real” over replica
  • art museum exhibition with themes of activism, rebellion, and questioning traditional value systems through subversion, sensationalism, and arguably outrageous actions of destruction
    • Replication, sculpture, old found objects, the mundane memorialized
  • a diverse range of works, meanings, and mediums; I went knowing nothing about him but it was a very impactful experience
  • Works commenting on the Cultural Revolution; Ai’s father, a renowned poet, was exiled to a camp near the Gobi desert

anti-ruin - the antithesis of ruin

  • Pulverized neolithic vessels into dust, accelerating the natural timeline of decay
  • Covered Han Dynasty vases with automotive paint
    • “calls into question the identity and authenticity of the object (…) the paint obscures and alters the ceramic, which is still there underneath, unchanged, although wearing a different guise”
  • Added the Coca-Cola logo (one of the first U.S. corporations to have products sold in China) to a Han-dynasty ceramic, violating “the immutable line between past and present for which a relic is venerated”
    • intentionally “full of ignorance”, redefines the initial significance of the artifact
  • once-sacred fragments lost to the apathy of time
  • Relics: surviving remnants of the past; defined by their relationship with time
    • the quality of their preservation is representative of our changing value systems

lost and found

  • During China’s construction boom of the 1990s, traditional hutong neigborhoods were demolished, unearthing ancient artifacts
  • Ai collected many ancient artifacts and used them in sculpture
  • Sculptures carefully formed out of Qing Dynasty furniture

value, material disruption

  • Ai subverts utilitarian function of classical furniture, i.e. three-legged tables
- produced 100 million unique porcelain sunflower seeds - Ai's father was humiliated on a stage during the Cultural Revolution, and spectators munched on sunflower seeds; a commentary on mass conformity

  • Bike sculptures - challenging what we view as building blocks for architecture
  • Wood sculptures with interlocking joints, no glue or nails
  • Everyday objects sculpted with marble, a material traditionally associated with wealth and status - questions what is valuable in our society

activism, resistance

  • Commentary on the suppression of intellectuals during the Cultural Revolution

  • Recreation of a viral selfie he took and posted while being arrested, in lego

  • Recreation of famous painting, with a cherub replaced by a panda, a commentary on censorship in China
  • Since 2008, his studio in Beijing has been surrounded by more than two dozen surveillance cameras
  • Had a life-size recreation of his prison room where he was held for 81 days

thoughts

  • reminder of the power and impact of art
    • it helps people understand scale, pain
    • it makes people question the way they view the world
    • it allows people to better understand differing experiences of life
  • The desecration of “valued” old relics is hard to stomach but also very effective commentary on what society deems as valuable
    • Paired with the elevation of mundane objects and replicas
  • Very clever, playful

  • determining perspective with middle finger instead of thumb